Fanga-Natural Juice[Afrobeat]

For the last ten years or so, the collective ‘Fanga’ has been on the up, blending afrobeat, jazz and funk and playing a music that is eminently spiritual. Fanga means ‘strength of conviction’ in Dioula and the commitment of the group is emblematic of its name.

An alliance of complementary personalities and cosmopolitan energies, Fanga first took form in 1998. Returning from Africa, Serge Amiano brings back a few vinyls of the likes of Fela, CS Crew and CK Mann that he plays to the Burkinabese rapper Korbo. Amiano being a hip-hop producer naturally takes on the role of the group’s artistic director right from the start.
The discovery of this urban African music of the 1970s quickly forms the basis of a shared passion. In 2000 the album ‘Black Voices’ by Tony Allen definitively seals Fanga’s birth and its afrobeat foundations with an obvious orientation towards dance and the solid relationship between the eight members of the group.
Fanga brings out its first six tracks in 2001 with a minimal rhythm section. Joined by the bass player Rajaneesh Dwivedi and the drummer Samuel Devauchelle, the group records ‘Afrokalyptik’ in 2003, its first album. The following album ‘Natural Juice’ comes out in 2007, warmly received and with much acclaim. Fanga is not only highly praised by Gilles Peterson but also the New York magazine Wax Poetics.
Having played with Antibalas, Seun Kuti and Kokolo, Fanga has nurtured solid relationships within the international afrobeat community. In the studio, the group’s path crosses that of Tony Allen and the sadly demised Segun Demisa, both pillars of Fela Kuti’s Africa 70, as well as that of the iconoclastic rapper Mike Ladd. Fanga launches its live project on stages around England, Holland, Spain and Italy.
Despite being firmly rooted in certain Nigerian and Ghanean musical traditions (those of the 1970s’ afro-beat and high-life) Fanga is equally at home to musical concoction, as demonstrated by the samples and other hip-hop and electronic ingredients, not to mention the vocals in Dioula, English and French. The gritty horns and earthy analogue keyboards shape the group’s sound whilst Korbo has no hesitation in embracing his Mandingue roots.
Flowing without restraint, Fanga exudes both spirituality and an intense persuasive power. It is home to an iron fist, characteristic of the most proud and organic of black musics. Melodious and hypnotic, the pieces developed by the group not only strive towards a groove conducive to a state of trance but is also equally appealing to the mind.
Whilst avoiding lengthy discourses, revolutionary messages and the pretension of offering answers to the problems of the world, Korbo nonetheless poses serious lines of reflection, in particular, defending the right to be different as well as nurturing a deeper harmony between humankind and nature. He denounces the social injustice arising from the pyramidal economic structures that have become uncontrollable and egotistical. Newspaper headlines often inspire Fanga’s songs.






01. Crache la douleur feat Tony Allen
02. Natural Juice
03. Kononi
04. Ni I Matoro
05. I Didn't Know
06. Iba
07. Bolli
08. Noble Tree
09. Keneya
10. Kelen
11. Noble Tree Remix

FANGA