Bob and Djeli first met in April 1999 on Réunion Island, Indian Ocean, where they were performing at the same festival, while Bob was there working and recording with René Lacaille. Bob was knocked out by the innovative and expressive qualities of Djeli's kora playing and musical approach. He then invited Djeli to join him in Quebec as part of the International Troupe that Bob organized for the 1999 festival season. At that point, the musical exchange between Djeli and Bob literally cried out for a collaboration. By October, all was arranged for Djeli to make his first trip to America, to record in California.
OCEAN BLUES was recorded in real time, as this music cannot not really be rehearsed - and that requires an intense musical presence and focus, which can be heard on this project. The only pre-planning for any song was a brief discussion of the key or mode, and of the rhythm to be used. On "Voyage dans le Desert," the two eagerly tried an experiment in which Bob put the kora into an Arabic mode, a tuning which Djeli had never played in before, and the two immediately recorded after hearing a few seconds of what Djeli could play in that tuning. This is but one example of the entire process of this record: each musician reacts to the other, and together they learn, compose, perform, and record all at once.
1. Kanun
2. Maloyan Devil
3. Almany
4. Dakon
5. Uncle Joe
6. Hip Hop
7. Nkaminyo Yelena Ma
8. Voyage Dans Le Desert
9. Malaga
10. Sabari
11. Malaika
DESCARGA
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